Books & Literature
Fifty Thrilling Wild West Stories — Odhams Press (c.1938)
Fifty pulp Westerns bound as one fat Odhams omnibus (c.1938) — Max Brand, the creator of Hopalong Cassidy, the creator of Zorro, and even O. Henry between gilt covers.



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Books & Literature
Fifty pulp Westerns bound as one fat Odhams omnibus (c.1938) — Max Brand, the creator of Hopalong Cassidy, the creator of Zorro, and even O. Henry between gilt covers.



Here is the American pulp Western, lifted out of the cheap dime magazines and repackaged for the British parlour. Odhams crammed fifty stories of cowboys, sheriffs, outlaws and Mounties into one fat, flexible, gilt-stamped omnibus — and the contents list quietly includes some of the genre's true founders.
A heavy omnibus in the uniform dress of the Odhams 'Fifty' series: limp maroon rexine covers, gilt spine lettering, a gilt- and blind-embossed cowboy device on the front board. It is the matching shelf-mate of the collection's Great War and Stranger Than Fiction volumes.
One of the Odhams 'Fifty' omnibus volumes from Long Acre, London WC2. The series clustered around 1936–1938, but the Wild West title in particular seems to have been kept in print and reprinted into the 1940s and beyond — dealer catalogues date surviving copies anywhere from 1938 to about 1950 — so the precise printing of any given copy is best read off its own copyright page.
The fifty stories are a cross-section of the inter-war Western pulp, and the by-lines are better than the cheap format suggests. They include Max Brand (Frederick Faust, the most prolific of all pulp Western writers) with Battle's End; Clarence E. Mulford, creator of Hopalong Cassidy, with Riding With the Mail; Johnston McCulley, creator of Zorro, with A Reason for Wrath; William MacLeod Raine; Eugene Cunningham; the prolific 'Will Jenkins' (Murray Leinster); the Scottish writer-adventurer R. B. Cunninghame Graham; and even a Western tale, The Marquis and Miss Sally, by O. Henry. It is, in effect, an anthology of the writers who built the modern Western, gathered before most British readers had ever seen a Hollywood one.
Good condition, the flexible maroon binding sound and the gilt lettering bright, with shelf-wear appropriate to age. The printing date is not yet confirmed from the book itself; given the series' reprint history, the copyright page should be checked before the catalogue year is treated as final.
The volume captures a small cultural border-crossing: the distinctly American pulp Western, arriving in 1930s Britain not as flimsy magazines but as a respectable-looking leather-effect omnibus for the family shelf. That it does so while quietly preserving stories by the creators of Hopalong Cassidy and Zorro — and a stray O. Henry — makes it more than filler. With its two siblings it completes a trio showing the Odhams 'Fifty' formula applied across war, wonder and the Wild West alike.
Provenance
Publisher: Odhams Press Ltd, Long Acre, London WC2. One of three Odhams 'Fifty' omnibus volumes in the collection, all acquired together in February 2026 as part of a larger group of books. Exact printing date to be confirmed from the copyright page (series titles often reprinted undated). Interior not yet examined for ownership inscriptions. Acquisition cost in the Ledger.
England South
Forty years of sketch-books opened in the year England needed them most: the first volume of Sydney R. Jones's illustrated journey through the southern counties, from London to the very end of Cornwall (1948).
England West
The trilogy's longest journey: Thames to Hadrian's Wall through Cotswold wool churches, Shakespeare country, the Marches, and the industrial North. The richest of the three volumes in architectural range (1950).
England East
The farewell volume: Jones closes his life's work with a journey from the Thames to the Scottish border, saluting Durham coalminers alongside Northumbrian castles, under an epigraph about ashes and graves (1954).